When most people think of stained glass. They may imagine intricate and colorful windows in churches and cathedrals. Stainless steel can be used wherever you want to add a decorative touch to a building. Stained glass pictures or designs are made using a metal frame (usually lead) to create an outline, and then filled with pieces of stained glass. The use of stained glass to create images or tell stories has been around for centuries, and many of the exquisite windows still survive today. From Roman times to modern stained-glass sculptures and windows. See below for our brief guide to the history of stained glass.
Early period
Stained glass has been used for thousands of years. It started with the Romans and the ancient Egyptians, who produced small objects made of stained glass. Stained-glass windows in England can be traced back to the 7th century, with some examples found in churches and monasteries.
Medieval mirror
Stained glass became very popular during the Middle Ages, and in the 12th century, the practice became more complicated, Chartres in France became a leading manufacturer of stained glass, and the materials produced were of very high quality. Round windows with intricate stained-glass designs.
Renaissance
Stained glass remained very popular throughout Europe, and the style changed from medieval Gothic to something more classic. However, during the reforms, Many stained-glass windows were smashed and replaced with ordinary glass. This destruction meant that many traditional methods of making stained glass were forgotten, and no new discoveries were made until the 19th century.
19th-century revival
In the 19th century, interest in medieval churches was revived, and many other churches were built in the Gothic style, including intricate stained-glass windows depicting scenes from the Bible and other religious images. Buildings across Europe have also been restored, and a trend has emerged for stained glass designs copied directly from famous oil paintings.
Modern Mirror
The 20th century saw the development of new stained glass techniques, including Gemmail, a method developed by the French artist Jean Croti, which used stained glass to be superimposed without lead. The design also shifted from being primarily religiously focused to becoming more abstract. As can be seen from the striking blue, green, white, and brown glass of the Brasilia Cathedral in Brazil.
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